For the first time I felt sorry for the Chinaman. Though the book did not tell me anything about pulling teeth, it was all right, for on one page I found drawings of all the teeth, including their prongs and how they were set in the jaw. Then came the pursuit of the forceps. I had seven pairs, but was in doubt as to which pair I should use. I did not want any mistake. As I turned the hardware over with rattle and clang, the poor victim began to lose his grip and to turn a greenish yellow around the gills. He complained about the sun, but that was necessary for the photograph, and he had to stand it. I fitted the forceps around the tooth, and the patient shivered and began to wilt. She found it hard, however, to think of the latter as a person, for was it not a bird, a flame, and sometimes only a breath? Perhaps it is its light that at night hovers over swamps, its breath that propels the clouds, its voice that renders church-bells harmonious. And Felicite worshipped devoutly, while enjoying the coolness and the stillness of the church.!

All the foregoing is by way of preamble to the statement that the horrors of Molokai, as they have been painted in the past, do not exist. The Settlement has been written up repeatedly by sensationalists, and usually by sensationalists who have never laid eyes on it. Of course, leprosy is leprosy, and it is a terrible thing; but so much that is lurid has been written about Molokai that neither the lepers, nor those who devote their lives to them, have received a fair deal. Here is a case in point. A newspaper writer, who, of course, had never been near the Settlement, vividly described Superintendent McVeigh, crouching in a grass hut and being besieged nightly by starving lepers on their knees, wailing for food. This hair-raising account was copied by the press all over the United States and was the cause of many indignant and protesting editorials. Well, I lived and slept for five days in Mr. McVeigh’s “grass hut” (which was a comfortable wooden cottage, by the way; and there isn’t a grass house in the whole Settlement), and I heard the lepers wailing for food—only the wailing was peculiarly harmonious and rhythmic, and it was accompanied by the music of stringed instruments, violins, guitars, ukuleles, and banjos. Also, the wailing was of various sorts. The leper brass band wailed, and two singing societies wailed, and lastly a quintet of excellent voices wailed. So much for a lie that should never have been printed. The wailing was the serenade which the glee clubs always give Mr. McVeigh when he returns from a trip to Honolulu. It was a pretty tangle, a job for wreckers, not boat-builders. There are two high tides every twenty-four hours, and at every high tide, night and day, for a week, there were two steam tugs pulling and hauling on the Snark. There she was, stuck, fallen between the ways and standing on her stern. Next, and while still in that predicament, we started to use the gears and castings made in the local foundry whereby power was conveyed from the engine to the windlass. It was the first time we ever tried to use that windlass. The castings had flaws; they shattered asunder, the gears ground together, and the windlass was out of commission. Following upon that, the seventy-horse-power engine went out of commission. This engine came from New York; so did its bed-plate; there was a flaw in the bed-plate; there were a lot of flaws in the bed-plate; and the seventy-horse-power engine broke away from its shattered foundations, reared up in the air, smashed all connections and fastenings, and fell over on its side. And the Snark continued to stick between the spread ways, and the two tugs continued to haul vainly upon her.

“Wada San, to-morrow morning, your watch, you look sharp on weather-bow you see land.” Since a long time the parrot had been on Felicite’s mind, because he came from America, which reminded her of Victor, and she had approached the negro on the subject. A most important event occurred: Paul’s marriage.